{"id":5778,"date":"2015-11-16T17:34:49","date_gmt":"2015-11-16T17:34:49","guid":{"rendered":"https:\/\/www.larsphysant.com\/da\/catalogos-y-textos\/"},"modified":"2022-03-20T08:16:32","modified_gmt":"2022-03-20T08:16:32","slug":"catalogos-y-textos","status":"publish","type":"page","link":"https:\/\/www.larsphysant.com\/da\/catalogos-y-textos\/","title":{"rendered":"Kataloger og tekster"},"content":{"rendered":"
\"\"<\/div><\/div>
ROME REVISITED \u2013 HOMAGE TO BERTEL THORVALDSEN<\/strong>
\nMuseo Diocesano, Terni, Italy 2021<\/strong><\/p>\n

Tekster: 
\nFrancesco Santaniello<\/strong>, Multidimensional Painting, Beyond Time and Space   \"pdf\"<\/a><\/strong>
\nLars Physant<\/strong>, Introduction  \"pdf\"<\/a><\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
DET KONTRAPUNKTISKE PORTR\u00c6T<\/strong>
\nImprovisation og komposition i Lars Physants maleri<\/strong>
\nNationalhistorisk Museum, Frederiksborg Slot, K\u00f8benhavn, Danmark 2021<\/strong><\/p>\n

Tekster:
\nMette Skougaard, <\/strong>Forord  \"pdf\"<\/a>
\nMette Skougaard og Lars Physant, <\/strong>Q&A med kunstneren  \"pdf\"<\/a>
\nPeter Michael Hornung, <\/strong>At forene det tilsyneladende uforenelige  \"pdf\"<\/a>
\nGitte Buch-Hansen, <\/strong>Natalitetens evangelium. Verdens Lys i Maglebr\u00e6nde Kirke  \"pdf\"<\/a><\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SERENDIPIA<\/strong>
\nKosmos \u2013 Polykosmos \u2013 Psykokosmos<\/strong>
\nKastrupg\u00e5rdsamlingen, K\u00f8benhavn, Danmark. Oktober 2017<\/strong><\/p>\n

Tekster:
\nMette Mansa, <\/strong>Forord \"pdf\"<\/a>
\nLars Physant, <\/strong>Serendipia \"pdf\"<\/a>
\nRafael Argullol,\u00a0<\/strong><\/strong>K\u00e6rlighed til maleriet \"pdf\"<\/a>
\nLars Physant, <\/strong><\/strong>Synsakten og Eckersberg \"pdf\"<\/a>
\nElse Marie Bukdahl, <\/strong><\/strong>Overraskende relationer mellem kunst og videnskab \"pdf\"<\/a>
\nThyge Christian F\u00f8nns-Lundberg, <\/strong>Sk\u00f8nheden og Sandheden \"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
REALISMO MULTIVERSAL
\nVindens Geometrier<\/strong>
\n Centro de Arte Contempor\u00e1neo, Mijas (M\u00e1laga), Spanien. Oktober 2014<\/strong><\/p>\n

Tekster:
\nElse Marie Bukdahl<\/strong>, Samspil mellem kunst, videnskab, digtning og musik i Lars Physants kunstneriske univers \u00a0\"pdf\"<\/a>
\nLars Physant<\/strong>, Multiversal realisme \u2013 vindens geometrier \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
GEOMETR\u00cdAS DEL ALMA
\n<\/b>Centro de Estudios Lorquianos
\n<\/b>Museo Casa Natal Federico Garc\u00eda Lorca, Spanien. Juni – Oktober\u00a02014<\/b><\/p>\n

Tekster:
\nIv\u00e1n de la Torre Amerighi<\/b>, Lars Federico\/Physant Lorca.
\nUre uden tid\/Pupiller uden blik\u00a0\u00a0\"pdf\"<\/a>
\nKlaus Rifbjerg<\/b>,\u00a0Manden fra Andalusien\u00a0\u00a0\"pdf\"<\/a>
\nLars Physant<\/b>, Sj\u00e6lens\u00a0geometrier\u00a0\u00a0\"pdf\"<\/a>
\nJos\u00e9 Torrente Garc\u00eda<\/strong>, Hver juni vender Federico tilbage til Fuente Vaqueros \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SIMULTAN PERCEPTION: VINDENS GEOMETRIER OG LORCA
\n<\/strong>Vendsyssel Kunstmuseum, Hj\u00f8rring, Danmark. Juli – august 2013
\n<\/strong><\/p>\n

Tekster:
\nSine Kildeberg<\/strong>, Forord
\nElse Marie Bukdahl<\/strong>, Krydsende spor mellem billedkunst, digtning og naturvidenskab \u00a0\"pdf\"<\/a>
\nLars Physant<\/strong>, Sj\u00e6lens geometrier\u00a0\u00a0\"pdf\"<\/a>
\nLars Physant<\/strong>, F\u00f8lelse og syn\u00e6stesi \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SIMULTANEOUS\u00a0 PERCEPTION
\n<\/strong>Arthus Gallery, Brussels, Belgien.\u00a0April 2012
\n<\/strong>PERCEPCI\u00d3 SIMULT\u00c0NIA
\n<\/strong>Palau Moja, Barcelona, Spanien. Juni 2012
\n<\/strong><\/p>\n

Tekster:
\nRafael Argullol<\/strong>, Simultan perception\u00a0\u00a0\"pdf\"<\/a>
\nVicen\u00e7 Altai\u00f3<\/strong>, Fysikkens og kunstens alterbilleder\u00a0\u00a0\"pdf\"<\/a>
\nRoger Pierre Turine<\/strong>, Et singul\u00e6rt udtryk<\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
PANTA REI
\n<\/strong>Solen er ny hver dag, og den har samme bredde som en menneskefod
\nSkagen Odde Naturcenter, Skagen, Danmark. Juli – august 2011
\n<\/strong><\/p>\n

Tekster:
\nLisette Vind Ebbesen<\/strong>, Orden i uorden. Entropien i Lars Physants malerier\u00a0\u00a0\"pdf\"<\/a>
\nElse Marie Bukdahl<\/strong>, Billedkunstens plads i mangfoldighedens verden. Om Lars Physants billedkunst\u00a0\u00a0\"pdf\"<\/a>
\nKlaus Rifbjerg<\/strong>, Panta rei \u00a0\"pdf\"<\/a>
\nLars Physant<\/strong>, Solen er ny her dag, og den har samme bredde som en menneskefod\u00a0\u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
THE COMPLEXITY OF SEEING
\n<\/strong>Arthus Gallery, Bruxelles, Belgien.\u00a0November 2008
\n<\/strong><\/p>\n

Tekster:
\nLisbeth Bonde<\/strong>, Momentets sk\u00f8nhed \u00a0\"pdf\"<\/a>
\nElse Marie Bukdahl<\/strong>, En malerisk udfordring til synsoplevelsen og nye fortolkninger af den ydre og indre verden \u00a0\"pdf\"<\/a>
\nCarles Hac Mor<\/strong>, Simultaneous discontinuity<\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
VEDUTE
\n<\/strong>Pal\u00e6fl\u00f8jen, Roskilde, Danmark. April 2008<\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>
\"\"<\/div><\/div>
FLERHED AF BLIKKE
\n<\/strong>Gallerihuset, K\u00f8benhavn, Danmark. November 2007
\n<\/strong><\/p>\n

Tekst:
\nElse Marie Bukdahl,<\/strong>\u00a0En flerhed af blikke – om Lars Physants kunst \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
EL TR\u00c0NSIT DE LA LLUM
\n<\/strong>Castell de Benedormiens, Castell d\u2019Aro, Spanien.\u00a0Juli\u00a02005
\n<\/strong><\/p>\n

Tekster:
\nPere Gimferrer<\/strong>, Words for Lars \u00a0\"pdf\"<\/a>
\nArnau Puig,<\/strong>\u00a0Det intime rum\u00a0\u00a0\"pdf\"<\/a>
\nEnrique Badosa<\/strong>, Arkitekt i tid og rum \u00a0\"pdf\"<\/a>
\nArne Haugen S\u00f8rensen<\/strong>, Digt\u00a0\u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SAMLET, SPLITTET VIRKELIGHED
\n<\/strong>Pal\u00e6fl\u00f8jen, Roskilde, Danmark. Maj<\/strong>\u00a02003
\n<\/strong><\/p>\n

Tekst:
\nLars Physant<\/strong>, Samlet splittet virkelighed\u00a0\u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
GLIMT AF ET GLEMT ROM
\n<\/strong>Galleri Henrik Kampmann, K\u00f8benhavn, Danmark. Oktober 2003
\n<\/strong>Pr\u00e6sentation af bogen\u00a0\u201cGlimt af et glemt Rom\u201d<\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>
\"\"<\/div><\/div>
INTROSPEKTIV NATURALISME
\n<\/strong>Gallerihuset, K\u00f8benhavn, Danmark. Marts 1999<\/strong><\/p>\n

Tekst:
\nLars Physant<\/strong>, Introspektiv naturalisme\u00a0\u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
Roma III<\/strong>
\n Gallerihuset, K\u00f8benhavn, Danmark. 1995<\/strong><\/p>\n

Tekst:
\nChristian Schultz-Lorentzen, <\/strong>Roma III \u00a0\"pdf\"<\/a><\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"ROME REVISITED \u2013 HOMAGE TO BERTEL THORVALDSEN Museo Diocesano, Terni, Italy 2021 Tekster:  Francesco Santaniello, Multidimensional Painting, Beyond Time and Space   Lars Physant, Introduction   DET KONTRAPUNKTISKE PORTR\u00c6T Improvisation...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5778","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/pages\/5778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/comments?post=5778"}],"version-history":[{"count":11,"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/pages\/5778\/revisions"}],"predecessor-version":[{"id":11413,"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/pages\/5778\/revisions\/11413"}],"wp:attachment":[{"href":"https:\/\/www.larsphysant.com\/da\/wp-json\/wp\/v2\/media?parent=5778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}