{"id":5779,"date":"2015-11-16T17:34:49","date_gmt":"2015-11-16T17:34:49","guid":{"rendered":"https:\/\/www.larsphysant.com\/en\/catalogos-y-textos\/"},"modified":"2022-03-20T08:15:58","modified_gmt":"2022-03-20T08:15:58","slug":"catalogos-y-textos","status":"publish","type":"page","link":"https:\/\/www.larsphysant.com\/en\/catalogos-y-textos\/","title":{"rendered":"Catalogs and texts"},"content":{"rendered":"
\"\"<\/div><\/div>
ROME REVISITED \u2013 HOMAGE TO BERTEL THORVALDSEN<\/strong>
\nMuseo Diocesano, Terni, Italy 2021<\/strong><\/p>\n

Texts: 
\nFrancesco Santaniello<\/strong>, Multidimensional Painting, Beyond Time and Space   \"pdf\"<\/a><\/strong>
\nLars Physant<\/strong>, Introduction  \"pdf\"<\/a><\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
DET KONTRAPUNKTISKE PORTR\u00c6T<\/strong>
\nImprovisation og komposition i Lars Physants maleri<\/strong>
\nNationalhistorisk Museum, Frederiksborg Slot, Copenhagen, Denmark 2021<\/strong><\/p>\n

Texts:
\nMette Skougaard, <\/strong>Forord  \"pdf\"<\/a>
\nMette Skougaard og Lars Physant, <\/strong>Q&A med kunstneren  \"pdf\"<\/a>
\nPeter Michael Hornung, <\/strong>At forene det tilsyneladende uforenelige  \"pdf\"<\/a>
\nGitte Buch-Hansen, <\/strong>Natalitetens evangelium. Verdens Lys i Maglebr\u00e6nde Kirke  \"pdf\"<\/a><\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SERENDIPIA<\/strong>
\nKosmos \u2013 Polykosmos \u2013 Psykokosmos<\/strong>
\nKastrupg\u00e5rdsamlingen, Copenhagen, Denmark. Octobre 2017<\/strong><\/p>\n

Texts:
\nMette Mansa, <\/strong>Preface \"pdf\"<\/a>
\nLars Physant, <\/strong>Serendipia \"pdf\"<\/a>
\nRafael Argullol, <\/strong><\/strong>A Passion for Painting \"pdf\"<\/a>
\nLars Physant, <\/strong><\/strong>The Act of Seeing and Eckersberg \"pdf\"<\/a>
\nElse Marie Bukdahl, <\/strong><\/strong>The Surprising Relationship between Art and Science \"pdf\"<\/a>
\nThyge Christian F\u00f8nns-Lundberg, <\/strong>The Beauty and the Truth \"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
MULTIVERSAL\u00a0REALISM
\n<\/strong>Geometries of the wind<\/strong>
\n Centro de Arte Contempor\u00e1neo, Mijas (M\u00e1laga), Spain. October 2014<\/strong><\/p>\n

Texts:
\nElse Marie Bukdahl<\/strong>, Interplay between art, science, poetry and music in\u00a0LarsPhysant\u2019s artistic universe\u00a0 \"pdf\"<\/a>
\nLars Physant<\/strong>, Multiversal realism \u2013 Geometries of the wind \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
GEOMETRIES OF THE SOUL<\/b>
\n<\/b>Centro de Estudios Lorquianos
\n<\/b>Museo Casa Natal Federico Garc\u00eda Lorca, Spain. June\u00a0– October 2014<\/b><\/p>\n

Texts:
\nIv\u00e1n de la Torre Amerighi<\/b>, Lars Federico\/Physant Lorca
\nClocks with no time\/Pupils without sight \u00a0\"pdf\"<\/a>
\nKlaus Rifbjerg<\/b>, The man from Andalusia \u00a0\"pdf\"<\/a>
\nLars Physant<\/b>, Geometries of the soul \u00a0\"pdf\"<\/a>
\nJos\u00e9 Torrente Garc\u00eda<\/strong>, Federico returned to Fuente Vaqueros every June \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SIMULTAN PERCEPTION: VINDENS GEOMETRIER OG LORCA
\n<\/strong>Vendsyssel Kunstmuseum, Hj\u00f8rring, Denmark. July – August 2013
\n<\/strong><\/p>\n

Texts:
\nSine Kildeberg<\/strong>, Introduction
\nElse Marie Bukdahl<\/strong>, A crossroads between the visual arts, poetry and science \u00a0\"pdf\"<\/a>
\nLars Physant<\/strong>, Geometries of the wind\u00a0\u00a0\"pdf\"<\/a>
\nLars Physant<\/strong>, Feeling and synaesthesia \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SIMULTANEOUS\u00a0 PERCEPTION
\n<\/strong>Arthus Gallery, Brussels, Belgium. April 2012
\n<\/strong>PERCEPCI\u00d3 SIMULT\u00c0NIA
\n<\/strong>Palau Moja, Barcelona, Spain. June 2012
\n<\/strong><\/p>\n

Texts:
\nRafael Argullol<\/strong>, Simultaneous perception \u00a0\"pdf\"<\/a>
\nVicen\u00e7 Altai\u00f3<\/strong>, Altarpieces of physics and art \u00a0\"pdf\"<\/a>
\nRoger Pierre Turine<\/strong>, A singular expression \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
PANTA REI
\n<\/strong>The sun is new every day and it has the same width as a human foot
\nSkagen Odde Naturcenter, Skagen, Denmark. July – August 2011
\n<\/strong><\/p>\n

Texts:
\nLisette Vind Ebbesen<\/strong>, Order and disorder. Entropy in the works of Lars Physant \u00a0\"pdf\"<\/a>
\nElse Marie Bukdahl<\/strong>, Visual Art in a World of Diversity – About\u00a0Lars Physant’s Art \u00a0\"pdf\"<\/a>
\nKlaus Rifbjerg<\/strong>, Panta rei (From mountain to heaven)
\nLars Physant<\/strong>, The sun is new every day and is as wide as a human foot \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
THE COMPLEXITY OF SEEING
\n<\/strong>Arthus Gallery, Brussels, Belgium. November 2008
\n<\/strong><\/p>\n

Texts:
\nLisbeth Bonde<\/strong>, The moment of beauty\u00a0\u00a0\"pdf\"<\/a>
\nElse Marie Bukdahl<\/strong>, A painterly challenge to the visual experience and new interpretations of the external and internal worlds \u00a0\"pdf\"<\/a>
\nCarles Hac Mor<\/strong>, Simultaneous discontinuity \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
VEDUTE
\n<\/strong>Pal\u00e6fl\u00f8jen, Roskilde, Denmark. April 2008<\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>
\"\"<\/div><\/div>
FLERHED AF BLIKKE
\n<\/strong>Gallerihuset, Copenhagen, Denmark. November 2007
\n<\/strong><\/p>\n

Text:
\nElse Marie Bukdahl,<\/strong>\u00a0A plurality of\u00a0 views \u2013 About Lars Physant\u2019s art \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
EL TR\u00c0NSIT DE LA LLUM
\n<\/strong>Castell de Benedormiens, Castell d\u2019Aro, Spain. July 2005
\n<\/strong><\/p>\n

Texts:
\nPere Gimferrer<\/strong>, Words for Lars \u00a0\"pdf\"<\/a>
\nArnau Puig,<\/strong>\u00a0The intimate spaces \u00a0\"pdf\"<\/a>
\nEnrique Badosa<\/strong>, Arquitect of space and time \u00a0\"pdf\"<\/a>
\nArne Haugen S\u00f8rensen<\/strong>, Poem \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
SAMLET, SPLITTET VIRKELIGHED
\n<\/strong>Pal\u00e6fl\u00f8jen, Roskilde, Denmark. May<\/strong> 2003
\n<\/strong><\/p>\n

Text:
\nLars Physant<\/strong>, United divided reality \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
GLIMT AF ET GLEMT ROM
\n<\/strong>Galleri Henrik Kampmann, Copenhagen, Denmark. October 2003
\n<\/strong>Presentation of the book \u201cGlimt af et glemt Rom\u201d<\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>
\"\"<\/div><\/div>
INTROSPEKTIV NATURALISME
\n<\/strong>Gallerihuset, Copenhagen, Denmark. March 1999<\/strong><\/p>\n

Text:
\nLars Physant<\/strong>, Introspective naturalism \u00a0\"pdf\"<\/a><\/div> <\/div> <\/div><\/div><\/div><\/section>

\"\"<\/div><\/div>
Roma III<\/strong>
\n Gallerihuset, Copenhagen, Denmark. 1995<\/strong><\/p>\n

Texts:
\nEbbe Kl\u00f8vedal Reich, Grethe Rostb\u00f8ll, Inge H\u00f8rup, Kim Sj\u00f8gren,
\n<\/strong>Christian Schultz-Lorentzen \u00a0<\/strong><\/div> <\/div> <\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"ROME REVISITED \u2013 HOMAGE TO BERTEL THORVALDSEN Museo Diocesano, Terni, Italy 2021 Texts:  Francesco Santaniello, Multidimensional Painting, Beyond Time and Space   Lars Physant, Introduction   DET KONTRAPUNKTISKE PORTR\u00c6T Improvisation...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5779","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/pages\/5779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/comments?post=5779"}],"version-history":[{"count":10,"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/pages\/5779\/revisions"}],"predecessor-version":[{"id":11412,"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/pages\/5779\/revisions\/11412"}],"wp:attachment":[{"href":"https:\/\/www.larsphysant.com\/en\/wp-json\/wp\/v2\/media?parent=5779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}